All about EQ and filters
- Parts of the frequency spectrum
- High-pass filters
- Use vowel and consonant sounds to help you identify frequencies
- Think in terms of harmonics when EQing
- Boost the fundamental to help a track come forward
- How to use complementary frequencies
- Less is more when it comes to EQ
- Why I prefer EQ cuts for balancing
- How to fix frequency masking
- Parallel filters
- Listen before mixing
- EQing pesky tracks
- Exaggerate EQ boosts into compression
- The problem-child frequency
- Follow up an aggressive high shelf boost with a low-pass filter
- Use EQ before saturation
- Shelving filters are more phase-transparent than peaking filters
- A rule of thumb for EQ boosts when balancing
- Try using multiband saturation instead of EQ
- Use fader balance to reduce EQ labor later
- Boost the level of a track when applying subtractive EQ
- Reassess EQ settings at different points in the song
- EQing multi-mic setups and parallel EQ
- Use a parallel high band to add intelligibility
- Butterworth filters
Notes mentioning this note
22.01 mixing and mastering tips 📝
22.01 Mixing and Mastering Tips 📝 [[Tips for faster mixes]] [[How I make tempo maps]] [[Mixing checklist]] [[Mixing maxims]] [[All...
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